Meal as Special as Murano Glass

In Italy, in Venice, in a small shop in a labyrinth of narrow alleyways, my wife and I bought eight water glasses of hand-blown glass made on the nearby famous island of Murano. Each is of a different main color – midnight blue, sky blue, green, yellow, red, orange, white, black – with swirls and teardrops and other designs in contrasting colors.

They have one more striking characteristic: their shape looks like a paper cup that has been crushed in one’s hand, or stomped flat underfoot, then pushed out whole again with the wrinkles unsuccessfully smoothed out. This purposeful imperfection makes them perfectly beautiful.

These exquisite tumblers tumble to mind when I think about the final meal my wife and I had on our recent dream trip celebrating our 40th wedding anniversary. At first appearance, the restaurant in Barcelona, the last stop of our two weeks abroad, looked like a smashed paper cup but in the end it proved to be like masterful Murano glasswork.

Lobster paella was not to be missed — but almost was.

As mentioned here a week ago, on the very first evening of our travels, at an outdoor table under the stars overlooking the Grand Canal in Venice, I had the best spaghetti of my life at a tiny trattoria named Carpaccio.

In the Gothic Quarter, in the historic centre of the old city of Barcelona, Lisa and I set out on foot in search of dinner with no recommendations or idea of where to eat. We had decided, as we often do on vacation, to let our dining destination be determined by serendipity – and, this night specifically, by having paella on the menu for we had not yet sampled this locally.

Aranega’s Restaurante was so small as to be called a mouse-hole-in-the wall. We did not find it so much as the proprietor found us by materializing out of nowhere directly in our path on the sidewalk and handing us two flat laminated menus. Politely, though unenthusiastically, we glanced at the menus, but unlike at many eateries here with English translations – and like Aranega’s sandwich chalkboard displaying a lengthy Menu del Dia – the offerings were in Spanish only. Sensing our language illiteracy, he disappeared through the doorway and quickly reappeared with an English version.

With our appetites rumbling, for we had been walking a long time looking for the ideal restaurant; and with trepidation, for this establishment looked to be only a step above fast food, we perused the new menu albeit with low expectations. As we did so, the owner again vanished inside.

While he was gone, Lisa and I both spotted it at the same time: lobster paella.

The owner returned carrying a two-top table and set it up on the sidewalk, for the evening was too pleasant to waste eating indoors, and without delay next brought out two chairs and gently guided us to sit down.

A waiter, an affable young man who we learned was the owner’s son, took our order; told us one serving would fill us both; and added that it would take half an hour to freshly prepare.

“We’re in no hurry,” we replied, ordered sangrias, and enjoyed people watching and reliving highlights from the past fortnight.

The lobster paella required closer to a full hour, and two sangrias each, before arriving; was served in a giant communal cast-iron bowl, steaming hot, with a full crustacean shell swimming in soupy rice; and was beyond worth the long wait.

Indeed, like Maria’s spaghetti at Carpaccio, it was as exquisite as Murano hand-blown glass. Together, the bookend meals were masterpiece ways to begin and end a masterpiece trip.

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and

Faces As Memorable As Places

Words fail me, and colossally so, in trying to describe seeing the Colosseum in Rome in person.

Since it is one of the iconic Seven Wonders of the World, here are seven adjectives to begin: spectacular, amazing, awe-inspiring, astonishing, breathtaking, magnificent, wondrous.

Meanwhile, seven full entries from a thesaurus cannot do justice to the La Sagrada Familia basilica in Barcelona. Designed by Antonio Gaudi, the towering cathedral is truly the most spectacular-amazing-awe-inspiring-astonishing-breathtaking-magnificent-wondrous building, outside and in, I have ever set eyes upon.

La Sangrada Familia from the outside…

To borrow Hollywood’s practice of pitching a new script by combining two known movies, La Sagrada Familia is Dr. Seuss’s imaginative drawings meet John Muir’s love of giant redwoods. Indeed, just as Muir believed nature was a church, Gaudi felt nature should be in a church and thus designed the interior marble columns to resemble a petrified forest of soaring trees.

As unforgettable as La Sangrada Familia and the Colosseum both are, two small scenes nearby will also long remain in my memory.

Leaving the Colosseum, my wife, who is half-Italian, and I squeezed onto a bench seat in the back of a hop-on hop-off bus. Lisa was next to the window and I was beside a young Italian boy, age 9 or 10, who was with his parents. Naturally, the boy was connected to his iPhone via earbuds.

Meanwhile, Lisa plugged the cord of her solo earbud into a console that provided sightseeing commentary in different languages. As she searched for English without success, the boy turned and said a number in Italian – cinque, I believe it was, which we translated to cinco in Spanish – and indeed channel five made Lisa flash a smile of thanks.

… and a breathtaking inside view.

My console, or perhaps my cheap disposable earbud provided by the tour, was broken as every channel came up empty. Content to view the beautiful city in silence, I suddenly felt a tap on my shoulder and the boy offered me one of his two earbuds.

Instead of sightseeing commentary, I was greeted with music. Italian pop, I presume it was, but understanding the lyrics did not matter for the boy’s act of kindness required no translation. For the next 10 minutes or so, we bobbed heads in unison and had a wordless conversation as he pointed at various sights.

“Ciao,” the boy said when his family’s exit came.

“Grazie,” I replied, handing back the borrowed earbud.

A few days later in Barcelona, Lisa and I were enjoying a lunch of tapas and sangria at an outdoor café overlooking a tree-lined grand plaza. Fortunately, our table for two was under a canopy because out of the blue, literally from a blue sky, it began raining fairly hard.

A rainbow soon appeared, not in the sky but on the walkway across the plaza from where we sat. A young man, who I guessed to be in his late teens, was walking with an elderly woman, who I guessed to be his grandmother. She shuffled slowly, holding his arm for balance, and I imagined he was escorting her home.

When the unexpected showers arrived, the grandson quickly removed his long-sleeved flannel shirt and held it over his grandmother’s grey-haired bun and stooped shoulders and continued patiently walking at her unhurried pace despite getting soaked in his T-shirt. I wish you could have seen this love in the rain that was every bit as lovely as La Sagrada Familia was in sunshine the day before.

Once again, the magic of traveling was found as much in faces as in places.

Onward in next week’s column to the French Riviera…

Woody’s Holiday Ball Drive: You can still drop off new sports balls or have online orders shipped to: Jensen Design & Survey, 1672 Donlon St., Ventura CA 93003. And please be sure to email me at woodywriter@gmail.com about your gift so I can add your generosity to this year’s tally and thank you in an upcoming column.

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com

 

Moved To Tears By Girl In Pompeii

“We do not take a trip,” John Steinbeck wrote in his 1962 gem, Travels with Charley: In Search of America, “a trip take us.”

In 2022, in search of the Pompeii ruins in Italy during my Travels with Lisa, our 40th wedding anniversary trip took us to tears.

To learn that an estimated 2,000 inhabitants of this ancient city died in less than 15 minutes after Mount Vesuvius, less than 15 miles away, erupted two millennia ago is overwhelming. Indeed, imagining the horror of noon on August 11, 79 A.D. brings to mind the nightmare morning of September 11, 2001.

Strolling the cobblestone streets and alleyways, ducking into living quarters and brothels, seeing the basilica and amphitheatre and the massive main city square with a colossal statue of a centaur warrior, all brought on a sense of wonder.

A narrow alleyway in the ancient ruins of Pompeii.

And yet it was a single room, small and simple, that brought on misty eyes. Here, one story represented every story on that calamitous day. Here, in a sarcophagus-like glass box, was a plaster casting of one of the exhumed victims. Here was a 14-year-old girl.

She died lying prone, forehead resting on her right forearm and left hand covering her nose and mouth, as though she were pleasantly sunbathing on a beach while shielding her eyes from the summer sun and face from wind-blown sand. In truth, she was trying to protect herself from the aerial tsunami of falling ash and swirling gasses that suffocated the residents of Pompeii – in the streets, in their homes, in their beds – long before the molten waves of lava arrived.

A steady line of tourists, hushed and solemn in expression, filed past the plaster girl with many snapping photographs as if this were merely an art sculpture imitating life – or, in this case, death.

The following day, 150 miles to the north in Rome, the Pompeiian girl seemed to reappear on the beautiful Ponte Vittorio Emanuele II pedestrian bridge spanning the Tibre River and connecting the historic city centre with the Vatican. Midway across, and also centered widthwise, was a life-sized sculpture. Instead of white plaster, it was cast iron and grey; instead of a girl in her home, it was a homeless man lying in a similar prone position with his forehead pillowed on a forearm. Again, tourists took pause to reflect in thought and take pictures.

The amphitheatre with a stage of white marble.

Shortly past the end of the triple-arched stone bridge, less than a half-mile walk from St. Peter’s Basilica where the poor are daily blessed, was a third figure in a nearly identical pose as the ancient girl of plaster and the man of iron. But this was a real person, a man, in his fifties perhaps, lying on the sidewalk with his head turned to the side as if taking a swimmer’s breath, a raggedy blanket pulled up to his scraggy-bearded chin.

For all the attention given to the sculpture of a homeless man on the nearby landmark bridge; for all the reverence paid to the Pompeiian girl who died in a famous disaster long, long, long ago; the opposite was now the norm. The person still drawing breath seemed to draw only blind eyes, not empathy.

Homelessness is everydayness in most cities worldwide, yet the manner in which passerby’s collectively sidestepped and averted their eyes from a living person whereas they visually embraced a plaster girl and a cast-iron man, this juxtaposition was as silently heartbreaking as a thunderous Vesuvius eruption.

To be continued, more happily, in Rome in two weeks after the kickoff of Woody’s Holiday Ball Drive next week…

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com

 

Gondolier Lorenzo and ‘Anna Silvia’

Head to toe, Lorenzo looked as one imagines a Venetian gondolier should.

His outfit included a flat-brimmed straw boater with a red hatband; loose-fitting, short-sleeved, white-linen shirt over a polo with traditional horizontal stripes of navy and white; black pants and black rubber-soled shoes. Oh, yes, and seemingly a song on his lips.

On the recent Italian afternoon of our 40th wedding anniversary, my wife and I were excited to celebrate with an authentic gondola ride. As we strolled toward a long ticket line, a charismatic gondolier intercepted us and guided us to the nearby dock where his long and narrow boat with high-rising stern and bow was moored.

Celebrating our 40th anniversary in Venice with a gondola ride thanks to Lorenzo.

No sooner did we sit down on a thinly cushioned loveseat bench than I began to wonder if we had been hoodwinked into an unseaworthy vessel for it tilted to the right, and greatly so. A heavy wake from a passing motorboat taxi would surely have us taking on water.

Not to worry. When Lorenzo took his position, standing above and behind us atop the left-hand side of the stern, the boat largely righted itself thanks to his wiry-framed weight. Not only is this imbalance by design in all gondolas, the keels purposely curve slightly to the right because rowing with a single 13-foot-long oar, always mounted on the starboard side, naturally pushes the boat leftward.

Rowing, by the way, is actually a short motion called “stirring”. Thanks to the forearms of a blacksmith, Lorenzo effortlessly stirred the gondola through the “streets” of Venice, as the canals are called. In truth, he only made it look easy.

“I’m 62 and getting too old,” he said at one point as the thermometer’s mercury approached 90 degrees. “It’s a young man’s game. It’s physically taxing and takes more effort that it looks like.”

Lorenzo with his 13-foot-long magic wand of a boat oar.

Lorenzo can still turn back the pages of the calendar. Not only did he turn the oar into a wizard’s wand, he sometimes assisted his steering by dancing on the wall like Fred Astaire in the most memorable scene in “Royal Wedding.” Specifically, Lorenzo would lift and place a foot on the side of a building rising from the water and push off. The gondola, despite measuring 36 feet in length, fishtailed gracefully to turn on a dime around blind corners.

“Gondolas are all handcrafted only in Venice and cost very much money,” said Lorenzo, whose black beauty originally belonged to his father. The floating family heirloom, in accord with the local custom of bestowing gondolas with two female names, was christened “Anna Silvia” after Lorenzo’s mother and sister.

“My dad died much too young at age only 52,” the boatman continued, noting sadly he thus inherited his father’s boat – and job – “at age only 18.”

With more than four decades experience, Lorenzo gave us a masterpiece tour. Here was Casanova’s Palace; there was the home believed to have been the residence of Marco Polo; here was Libreria Acqua Alta, the self-proclaimed “most beautiful bookstore in the world”; there, passing overhead, was the Bridge of Sighs, its name coming from the poet Lord Byron, who wrote: “I stood in Venice, on the Bridge of Sighs; a palace and a prison on each hand.”

And here, inside the bow of “Anna Silvia”, was another quote, painted in black upon a carved olive wreath of gold, from a poem by Dante: “Lo Bel Pianeta Che Ad Amar Conforta.” Translation: “The beauteous planet, that to love incites.”

Certainly this beauteous city, and our smooth-as-a-magic-carpet ride with Lorenzo, incited anniversary love.

To be continued next week in Olympia, Greece…

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com

 

By Any Nickname, Venice Is Lovely

Our Italian gondolier, Lorenzo, told us Venice has nearly as many nicknames as bridges.

This is an exaggeration, for spans over the canals number nearly 400, but Lorenzo did easily spit out a mouthful of sobriquets: La Serenissima (The Most Serene), Queen of the Adriatic, The Floating City, and The City of (take your pick) Canals / Water / Bridges / Love / Masks, the latter relating to the annual Carnival.

Not to quibble with Lorenzo, who shares his name with Jessica’s lover in Shakespeare’s “The Merchant of Venice” and whose own family roots reach down through the shallow waters of the canals deep into the earth below, but I always thought Paris owned trademark rights to “The City of Love”.

Lisa and me beginning our trip in beautiful Venice, Italy.

And yet after an hour gliding as serenely as an autumn breeze through a labyrinth of canals, I concluded that all of the nicknames are fitting – most especially, perhaps, The City of Love. After all, my wife and I, seated together on a narrow wooden seat, on a Venetian afternoon as sunny and warm as the Ventura day we exchanged wedding vows exactly 40 years earlier, at one point floated past Casanova’s Palace.

To be sure, there is much to love about this enchanted city. Upon our arrival less than 24 hours before, after checking into our hotel after a long, long, long night, day and evening of travel, we found a nearby trattoria – cozy Italian restaurant. It was well past 9 o’clock when we were seated at a table for two on the patio, under the stars with an orange half-moon rising, the lapping water of the Grand Canal a short stone toss away. The pasta and desserts, all homemade by Maria the owner, were as perfect as the setting.

The following day, our actual anniversary, we visited St. Mark’s Square and the magnificent Basilica di San Marco. Thereupon, we took to heart – and feet – the sage advice a dear friend of mine, a travel writer who has visited the four corners of the globe, always reminds me of before I embark on a trip: “Be sure to turn down a hidden alleyway, or go inside a quiet doorway off the beaten path, because that’s where you’ll find some of the most memorable experiences.”

A view of the Grand Canal from the Ponte di Rialto Bridge.

Venice has pedestrian alleyways off of alleyways off of alleyways. Getting lost in this funhouse-like mirror maze was how we found a quiet doorway to a small shop that was like a museum exhibition of hand-blown glassworks made on nearby Murano island. The breathtaking pieces ranged from elegant goblets and bowls that seemed as delicate as butterfly wings; to graceful butterflies themselves; to a resplendent turtle the size of a couch cushion and an even larger dolphin, both featuring swirling currents of blues and greens within as if filled with colorful seawater.

Less beautifully, the canals are so opaque they seemed filled with wet paint. This filled Lorenzo with great sadness.

“The water was so clean during the worst of the pandemic,” he recalled, referring to the Grand Canal, “we saw dolphins.”

Meanwhile, the inner canals – measuring one to two meters in depth, depending on the tide – were so crystalline that a gondolier peering down from his standing perch could see to the water’s bottom with such clarity as to accurately call a coin heads or tails.

Alas, motorboat traffic has returned fully, and with it the green-sheened murkiness, causing 62-year-old Lorenzo to lament: “Man never learns. Man is a dummy.”

Taking a gondola ride with Lorenzo, however, was a smart decision – to be chronicled further here next week…

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com

 

Vacation Photos – Less Can Be More

Third try was indeed the charm.

After twice having a dream vacation canceled by the coronavirus nightmare, my better-half, who is half-Italian, and I finally made it to the land where her family roots reach deep into the fertile soil. Specifically, we sailed fully around the thigh-high boot setting out at Venice, through the narrow Strait of Messina at the toe, up the western coast and over to Barcelona with nine port stops en route.

The starting and ending bookends proved to be our favorites, although perhaps this was partly because we spent extra nights in both and were thus able to explore them a little more fully than the daytime destinations.

The ancient Colosseum in Rome was definitely photograph worthy!

A cruise, in my view, is sort of like speed dating in that you learn who (or where) you want to get to know better. In this case, we didn’t ask Croatia and Albania for their phone numbers. Don’t get me wrong, the former’s Old Town Dubrovnik – with white marble streets and forts of stone so magnificent “Game of Thrones” filmed myriad scenes there – was memorable, yet an afternoon inside these historic walls was plenty. Similarly, a few hours sufficed at the ancient sites of the Olympics in Olympia, Greece, and the Pompeii ruins near Naples, Italy.

Our two ports in France – Villefranche-sur-Mer and Toulon – are both gorgeous coastal locales, but to be honest we much prefer Ventura’s similar charms so feel no strong gravitational pull to return. Rome and Florence, however, like Venice and Barcelona, already beckon us back for longer sojourns.

In the coming weeks, I will share here some snapshots-in-words of my favorite experiences from our two-week trip: from memorable people and meals to the canals of Venice to the Colosseum in Rome to the breathtaking La Sagrada Familia cathedral in Barcelona, and more.

Speaking of snapshots, my cell phone camera kept freezing with the command: “Out of Storage. Free Up Space.” Just my luck…

…good luck, that is.

In these old lands I was forced to go old-school. Instead of mindlessly snap-snap-snapping endless digital photos, I was forced to point-and-shoot judiciously. It was like going back in time and using a camera with film that comes in 12, 24 or 36 exposures. Instead of paying to have prints made, I had to spend time deleting files.

So it was I found myself taking in the sites, and sights, in their full grandeur through naked eyes instead of miniaturized on a pixel screen. Thus, I found myself absorbing the scenes and memorizing the moments before selectively choosing the very best ones to photograph.

In this reframed frame of mind, it saddened me to see so many others touring these goosebump-inducing historic places, even a museum filled with Picasso artwork, while largely squinting at their tiny cameras. They seemed more concerned with reliving these experiences in the future rather than living them in the present. One romantic couple we encountered seemed to be experiencing their entire gondola ride through the canals of Venice digitally instead of actually.

Conversely, instead of hundreds of photos, so many as to be overwhelming, I came home with only a few “rolls” of selectively snapped images to be developed at Fotomat, so to speak. This was a silver lining, as mentioned, for it seems to me that too many pictures is like not being able to see the forest for the trees. Indeed, the graceful stone columns in La Sagrada Familia are meant to invoke towering trees, a forest of them, something one might miss if looking through a camera lens.

To be continued next week…

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com