A Small Pleasure on The Big Island

Third try was the charm indeed.

Early in the pandemic, seemingly a decade ago, my wife and I had a long-planned trip to Hawai’i – my first ever – cancelled. A year later, after arrangements were again all made, a tsunami-sized COVID-19 surge forced a second postponement.

At long last, we recently made it to The Big Island, to Kona, to Lyman’s Bay where we stayed in a lovely one-bedroom retreat with a postcard view of the ocean brought to life.

We filled the week with sightseeing and snorkeling, with a day hike to Akaka Falls and an evening luau under a sky as pink as the inside of a conk shell, yet one of the biggest highlights was our tiny third-floor balcony. It was here where we started each morning by watching surfers carve their moves into the waves like hands writing script in invisible ink on the water’s surface. Evening happy hours were spent similarly.

A song lyric from The Beach Boys – “Catch a wave, you’ll be sitting on top of the world” – played in my mental jukebox as the wave dancers lined up, usually no less than two dozen of them, waiting and positioning to catch their next turn on top of the world.

While the surfers in this corner of paradise were nearly all adults – perhaps paddling out before going in late to the office; or diving in in the early evening on the way home after a full workday – they came into focus like school kids at play during recess.

One morning, when there was a “Big Wave Warning” all day for swimmers and snorkelers at nearby Magic Sands Beach just a mile south, the number of surfers in Lyman’s Bay swelled twofold to catch waves that were nearly triple the size of the previous few days’ head-high curls. Even super-sized, the waves broke as if in slow motion, gently almost, left-to-right looking on from the beach, and maintained their form so long they could be ridden for what seemed like a full minute.

Our final evening on our beatific balcony in Kona, the waves were so ginormous, and the Monet-painted sunset so impossibly gorgeous, that in addition to surfers lining up out on the water, runners and walkers and cyclists stopped en masse along the narrow-but-well-trafficked beachside road to gaze. Some cars even pulled over and parked, their occupants joining the entranced crowd.

After the sun melted fully into the horizon, the spectators gradually resumed their runs and strolls and rides. In turn, the brotherhood of surfers likewise grew smaller and smaller as one after another grabbed his or her final ride, happy and tired and probably looking forward to coming out again tomorrow morning, or next evening, or the upcoming weekend.

Eventually, there were only three surfers remaining in the bay, in the water, in the deepening darkness.

“That’s his last one,” my wife or I would say when one of these night riders caught a wave—

—but each time that surfer would paddle back out.

The longer this stubbornness against the dark went on and on, the brighter my already bright mood became until it shone like the rising moon. No matter their ages, I realized, these three men were at heart still boys at play.

It was as if they were shooting baskets in the driveway, or practicing skateboarding tricks in the street, and their mothers had just called them in for dinner on a warm midsummer’s night and they shouted back: “Just five more minutes, pleeeease!

Or, in this case, “Just one more wave!”

To be continued…

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and  “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com