Sharing a Collection of Last Lines

A while back, while browsing a second-hand bookshop, specifically our local treasure Bank of Books – by the way, is any perfume more lovely than the musty-woodsy-vanilla-fresh-rain scent that wafts up from the open pages of an old book?—I came upon a copy of “Anna Karenina.”

I have long meant to tackle this classic tome by Mr. Tolstoy, long being the operative word for it is pushing 600 pages, and on this encounter I simply read the opening sentence—“Happy families are all alike; every unhappy family is unhappy in its own way”—and then flipped to the ending: “My life now, my whole life, regardless of all that may happen to me, every minute of it, is not only not meaningless, as it was before, but has the unquestionable meaning of the good which it is in my power to put into it!”

And so began my habit of wandering through bookstores and partaking of the first and last lines, or paragraphs, of novels—ones I have already read and also those I wish to one day do so in full.

Just for fun, and to give myself the day off from writing my own last line for this column, here are some endings I have jotted down in my collection…

From “Where the Wild Things Are,” the first book I remember checking out of the library as a kid, the last page reads: “and it was still hot.”

“Harry Potter and the Deathly Hallows”: “The scar had not pained Harry for 19 years. All was well.”

“The Catcher in the Rye”: “It’s funny. Don’t ever tell anybody anything. If you do, you start missing everybody.”

“A Prayer for Owen Meany”: “Oh God—please give him back! I shall keep asking You.”

“Beloved” concludes powerfully and unforgettably with simply the novel’s title: “Beloved.”

Two more succinct endings are “I’ll pray, and then I’ll sleep” from “Gilead” and “Are there any questions?” from “The Handmaid’s Tale.”

“To Kill a Mockingbird” closes: “He turned out the light and went into Jem’s room. He would be there all night, and he would be there when Jem waked up in the morning.”

“The Great Gatsby” famously ends: “So we beat on, boats against the current, borne back ceaselessly into the past.”

No title is needed to identify this couplet finale: “For never was a story of more woe / Than this of Juliet and her Romeo.”

From “The Road” comes this poetic prose: “In the deep glens where they lived all things were older than man and they hummed of mystery.”

“The Green Mile” ends: “We each owe a death, there are no exceptions, I know that, but sometimes, oh God, the Green Mile is so long.”

Death, the narrator of “The Book Thief,” concludes: “A LAST NOTE FROM YOUR NARRATOR. I am haunted by humans.”

“Adventures of Huckleberry Finn”: “I got to light out for the territory ahead of the rest, because Aunt Sally she’s going to adopt me and sivilize me, and I can’t stand it. I been there before.”

“The Sun Also Rises”: “ ‘Yes,’ I said. ‘Isn’t it pretty to think so?’ ”

“The Grapes of Wrath” closes with this indelible image: “She looked up across the barn, and her lips came together and smiled mysteriously.”

“Travels with Charley”: “And that’s how the traveler came home again.”

And in “brown girl dreaming” Jacqueline Woodson ends with this verse: “gather into one world / called You / where You decide / what each world / each story / and each ending / will finally be.”

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Rubicon is a Local Pearl

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Pearl Shines Brightly

Under Stage Lights

From the Ventura Pier up to Two Trees and back down to the San Buenaventura Mission, we have more local treasures than could be strung on a necklace. One of these pearls, I was reminded last Saturday night, is The Rubicon Theatre Company.

“World-class artistry, small-town hospitality” is more than a slogan, it is true. At the Rubicon’s Will Call, no ID is required. In the intimate 185 seats, or the long lines at intermission for the two small restrooms, you are likely to see a friend, neighbor or co-worker.

As for big-time artistry, consider David Aron Damane, who recently played Jim in the musical “Big River: The Adventures of Huckleberry Finn.” His resume is nearly as long as the mighty Mississippi.

(While “Big River” has now run its course at the Rubicon, “Forever Plaid: Plaid Tidings” followed by “Forever Motown” are next up.)

A take-a-deep-breath summary of Damane’s credits features a handful of Broadway plays, including “The Book of Mormon” and “Riverdance; national tours of “The Color Purple” and “The Who’s Tommy” among many others; performing in Shakespeare’s “Macbeth” and “A Midsummer Night’s Dream”; and guest-starring on enough hit TV shows to fill up a DVR’s memory.

Exceptional as Damane is, his performing experience is not the exception for the professional talent the Rubicon regularly attracts. Importantly, the Rubicon also nurtures emerging local talent. For example, Cheyenne Green, who played a slave (and was also understudy for Alice and Alice’s daughter) in her Rubicon debut in “Big River”, was raised in Simi Valley.

Furthermore, as a community pearl, the Rubicon further nurtures the performing arts with after-school, weekend and summer programs for kids as young as age 5. Too, it offers opportunities for students to experience everything from playwriting and acting to directing and design.

Among the big-time artistry the Rubicon has offered in its 21 years to date, I have been fortunate to see more than a dozen of its plays. These memorably include “Our Town” by Thornton Wilder, “The Diary of Anne Frank” and Arthur Miller’s “All My Sons.” I dare say “Big River” is my favorite. More accurately, it affected me the most, and isn’t that the highest calling of art?

Written 136 years ago, the themes of “Big River” – prejudice, injustice, cruelty, heartbreak – remain timeless and relevant, now perhaps as greatly as ever. Critically, the decision was made by the Rubicon to keep in the ugliest language from Twain’s masterpiece. These dark words and moments were powerfully enlightening.

As I mentioned, Damane’s performance was masterful. The handful of times I have read “Adventures of Huckleberry Finn” my mind’s eye saw Jim as slim and rawboned. On my next future rereading, however, I will envision the runaway slave in the mold of a football linebacker because Damane appears to have stepped onstage straight from an NFL field. Indeed, Twain’s Jim, the Rubicon’s Jim, is now my Jim.

To see Jim under a stage spotlight, so near and so real, shackled in iron chains made my heart figuratively weep as reading the novel never has. Moreover, my eyes literally began to well up during the play’s scene where Jim shares with Huck the time his young daughter, Lizabeth, ignored his order to close an open door.

When Lizabeth disobeyed the repeated command, Jim slapped her hard in reprimand. Suddenly, a gust of wind slammed the door shut directly behind Lizabeth – yet she did not even flinch. Jim painfully realized that scarlet fever has left his daughter deaf.

As Jim wept with self-torment in the retelling, my tears flowed like a Big River.

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Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His books are available at www.WoodyWoodburn.com.

Check out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …