beach | WOODY WOODBURN

I remember watching “Little Miss Sunshine” in a downtown Ventura movie theater a number of years ago and the audience erupted with applause and cheers at the dramatic pageant arrival scene when Steve Carell’s dad character, driving the family in a bright yellow VW Microbus, misses the freeway exit and has to take an overpass to turn around…

…and the brief on-screen “star” is our 101 California Street exit – only four blocks away from the movie theater we were watching in – with the high-rise Crowne Plaza beach hotel in the background.

If you are at all like me you feel a similar thrill whenever you see Ventura in a Hollywood role. For example, our downtown in “Swordfish” or several local spots in “Two Jakes” or our beloved pier in “God Bless America” to name three more.

I imagine it’s how Monterey’s “Cannery Row” neighborhood must have felt to be immortalized in John Steinbeck’s novel of the same name. Less famously, the fictional coastal town of Cabrillo hints strongly of Ventura – and the old Star-Free Press – in my predecessor Chuck Thomas’ novel “Getting Off The Map.”

Well, a new book has me smiling and cheering for featuring Ventura in its pages. Actually, the fictional beach town is named Buena Vista, but make no mistake it is Buenaventura. From the beach and pier to Main Street and the foothills, its author – Dallas Woodburn – pays homage to her dear hometown through and through.

My daughter’s second novel, “Thanks, Carissa, For Ruining My Life” from Immortal Works, has just been published and – Boasting Dad Warning – instantly soared to No. 1 on Amazon’s list of Young Adult New Releases.

The story centers around two teenagers, Rose and Brad, who travel parallel journeys of self-discovery, empowerment, and acceptance after popular “queen bee” Carissa tears apart their lives. In Hollywood parlance, it’s “Brittany Runs a Marathon” meets “Some Kind of Wonderful.”

A wonderful kind of thing some writers like to do is scatter “Easter eggs” that only certain readers will find and recognize. “Carissa” has a basketful of such hidden treasures. For example, Tony’s Taco Shop is obviously Snapper Jack’s; Nature’s Grill makes a cameo as Nature’s Café; and in a role encompassing its own storyline is the Buena Vista radio station WAVE-104.3 that is, clear as a Santa Ana wind-blown summer day, Ventura’s KVTA-1590 where Dallas has been a guest on esteemed radio personality Tom Spence’s morning show. The observant reader will find more brightly dyed local gems.

Books are time machines and while “Carissa” will surely transport most readers back to high school, it carries me to when Dallas was only 6 or 7 and already dreaming of becoming an author. In my mind’s eye I can still see her, sitting tall on her knees, in a chair at the kitchen table and typing on her great-grandfather’s restored Underwood No. 5 typewriter. Punching the QWERTY keys, firmly with only her right index finger, she let her imagination soar.

There was modern magic in that 1911 heirloom: in second grade, Dallas had a poem – “Peanut Butter Surprise” about a PB&J sandwich made with a jellyfish because the grape jelly ran out – published in The Star’s “Kids Corner” feature and in fifth grade self-published a book of short stories and poems that sold 2,000 copies.

The little girl’s big dreams kept coming true with a play produced off-Broadway, a John Steinbeck Creative Writing Fellowship, and a handful of awards for her debut novel “The Best Week That Never Happened” two years ago.

Thanks to “Carissa” her writing life remains charmed, not ruined.

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Essay copyrights Woody Woodburn

Woody writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com. Follow him on Twitter and Instagram at @woodywoodburn. His SIGNED books are available at www.WoodyWoodburn.com.

Personalized Signed copies of WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and “Strawberries in Wintertime: Essays on Life, Love, and Laughter” are available at WoodyWoodburn.com

Ask a hundred people to name their favorite piece of music and you are likely to get a different answer from each, from the Beatles to Beethoven, from country to classical, from Amadeus to Zeppelin.

This question came to mind the other night as a much-needed Southern California rainstorm was drumming madly on my rooftop and rat-a-tat-tatting against my bedroom windowpanes. Buddy Rich and Keith Moon never played more magnificently.

Rain is the best lullaby of all, I thought while lying in my warm dry bed, but before drifting asleep I considered the subject further.

Reaching back in time, back to my youth in Ohio, back to humid summer weekends at our family’s modest cabin with a nearby pond and a not-far-away lake, I conjured up another magical melody: the chirping of crickets; joined occasionally by bullfrogs croaking their basso notes a short walk away; and in the distance, much less frequently, the eerie-but-beautiful lonesome howls of coyotes.

Moreover, instead of counting sheep to fall asleep one could count a cricket’s chirps for 15 seconds, add 40 to that number, and arrive at an approximation of the outside temperature in degrees Fahrenheit.

Winter nights, where winters are truly winters, have their own soundtrack for inducing slumber. If you listen closely with eyes shut, I swear you can hear snow falling. Rather, I suppose, one actually hears an absence of noise as the snow muffles out all but the loudest of sounds. All the same, it is a beautiful lullaby indeed for as Mozart noted: “The music is not in the notes, but in the silence between.”

Nearly as hushed as snowfall and softer than tap-dancing rain, with a cadence slower and more soothing than a cicada’s summer song, is to fall asleep to the whispered breathing of someone next to you. Here, too, the music is in the silence between notes, between inhalations and exhalations.

And yet, pressed to choose just one song to fall asleep to, I will opt for a percussion performance of waves crashing on the beach. Even in daylight, this is my favorite music, but at nighttime the ocean’s song is tenfold more mesmerizing.

One of the magical properties of music is that it is a time machine. Hearing a specific song can instantly transport us back to where we were – and who we were – when we first heard it and listened to it frequently.

Such was the case for my wife’s recent birthday when our family, all seven of us, rented a beach house in Avila Beach – or “Vanilla Beach,” as three-year granddaughter Maya renamed it. It was a long weekend of paradise.

During the daytime, the cymbal-like crashing waves were largely drowned out by talking and laughing and all other goings on of life. But at night, after the moon rose and “Goodnight Moon” had been read to Maya and we had all likewise gone to bed, the surf raised its volume pleasantly. Again, the music was as much the silence – the sea rising into a gentle swell, rising into a wave, rising into a vibrating crest – between oceanic muffled thunderclaps.

And again I was transported back in time, back to 1972, back to when I was 12 and spent the entire summer at Solimar Beach with my godparents. For a kid from the Midwest who had never before seen an ocean, falling asleep to the Pacific’s pacifying cadence was even better than listening to a rooftop symphony of rain or concert of cicadas and coyotes and bullfrogs.

All these years later, the surf’s song remains my favorite lullaby.

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WOODY WOODBURN

Writer, "Streaker" & Speaker

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