Road Trip rolls on to T.R.’s House

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1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Penciling in a Thrill on Road Trip

Third in a series of columns chronicling my recent father-son travels from Paul Revere’s gravesite in Boston to John Steinbeck’s writing cabin in Long Island, and more.

*   *   *

It was like seeing a Stradivarius violin, only better. Imagine eyeballing one of Babe Ruth’s bats – that he lathed himself. Or a paintbrush made by Rembrandt.

Such was the goose-bump thrill I had at the New York Public Library when I came head-to-lead with a pencil made by Henry David Thoreau. Even visiting the great writer’s home in Concord, Massachusetts, three summers past, I had not come across one of his graphite-and-wood handiworks.

Another surprise: the pencil is three-sided, not round.

My arm hairs stood at attention as I imagined Thoreau using this pencil to write down his thoughts about learning to “live deliberately” during his famous stay of two years, two months and two days at Walden Pond.

Serendipity had smiled. To my “collection” of typewriters I have seen that belonged to famous authors I added: “Thoreau’s Pencil*.”

The asterisk is needed because it was not possible for Thoreau to lug a typewriter into the woods in 1845 since the first commercially successful machine did not come out until 1868. Moreover, it is doubtful Thoreau would have used a QWERTY keyboard anyway. “Simplify, simplify” after all.

Enjoying a bully good time at T.R.'s Sagamore Hill.

Enjoying a bully good time at Theodore Roosevelt’s Sagamore Hill.

And so Thoreau’s Pencil* joined my list that includes Jim Murray’s 1946 Remington Rand; Thornton Burgess’ 1910 Underwood No. 5; Eleanor Roosevelt’s circa 1904-1905 Smith & Corona L C Smith Super Speed; and John Steinbeck’s Swiss-made circa 1950 Hermes Baby.

Only moments later, also unexpectedly on display in the New York Public Library, came another addition: novelist/screenwriter Terry Southern’s battleship-grey Olympia typewriter.

My collection expanded once more, and once more by surprise, the very next day when my son and I drove 40 miles northeast of the New York Public Library to Oyster Bay, Long Island. Specifically, we visited Theodore Roosevelt’s Sagamore Hill home – known also as “The Summer White House” from 1902 through 1908.

With a hilltop view and wide veranda, the three-story Queen Anne-style mansion is grand on the outside. Inside it is no less impressive, its 23 rooms collectively filled to bursting with T.R.’s bully energy, artwork (countless Remington bronze sculptures) and books (8,000 volumes) and hunting trophies shot by “The Old Lion” himself.

Most breathtakingly bully of all the big-game hides, tusks and mounted animals is a massive Cape buffalo head in the entry parlor. Displayed at its actual height were the beast standing, the menacing ebony horns seem ready to charge and gore each visitor.

A different trophy caught my attention upstairs on the third floor. At the end of the hallway in T.R.’s study, which he called “The Gun Room,” a thread linking some past road trips to the New York Public Library now weaved into the present: Theodore Roosevelt’s black-and-gold Remington Standard Typewriter No. 6.

As with his niece Eleanor Roosevelt, I had not thought of T.R. as a writer. This was my great oversight, twice over, for Eleanor authored 28 books while Theodore surpassed that and greatly. Between 1882 (“The Naval War of 1812: Part I”) and 1919 (“Theodore Roosevelt’s Letters to His Children”), T.R. penned 47 volumes.

Due east 80 miles from T.R.’s hilltop Eden overlooking Oyster Bay, driving a rental car past the Hampton Bays and nearly to the tip of Long Island, another author’s home awaited us this same day.

This was the trophy destination our entire road trip had been planned around: a famous author’s home and backyard writing cabin he named “Joyous Garde.”

Indeed, the joy was to continue.

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

A Trip to Patience and Fortitude

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1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

A Trip to Patience and Fortitude

Second in a series of columns chronicling my recent travels from Paul Revere’s gravesite in Boston to John Steinbeck’s writing cabin in Long Island, and more.

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Patience and Fortitude are the nicknames of the two grand marble lions regally standing guard before the New York Public Library’s entrance on Fifth Avenue.

Fortitude and patience, lower case, were also part of my maiden visit to our nation’s largest public library. I had intended to go the previous spring, but en route on the subway my right index finger was filleted by the train’s doors. An urgent detour for 16 stitches derailed my plans.

Eleven months later, my patience was rewarded. Again visiting my son in Manhattan, I again headed to the lion sentries. This time, I avoided mishap on the subway.

Exiting the station, however, was a different matter. In the shadows of skyscrapers, I had no idea which direction was my intended west. The fourth person I asked for help, a young woman, pointed me off with the assuredness of a compass.

Moments later, I flinched at a tapping on my shoulder. It was the young woman. Realizing she had erred, and defying the rude New Yorker stereotype, she had hustled two blocks out of her way – in heels! – to catch up and turn me around.1lionsNYPL.com

Days earlier, the Boston Athenaeum, that city’s original library dating back to 1805, had taken my breath away. The New York Public Library, founded in 1895, knocked me out. It is not a library so much as a museum.

Patience and Fortitude out front are complimented inside by a collection of masterful bronze statues and marble busts. Too, priceless paintings and monumental murals abound.

Even the ceilings are artworks. The dome of the McGraw Rotunda, for example, brings to mind the Sistine Chapel. The Rose Main Reading Room, meanwhile, surpasses the rotunda roof. Nearly the length of a football field, its ceiling features exquisite wood carving and gilded tiling forming an elegant frame around a painted blue sky filled with clouds.

It is my experience that travels take on themes and have common threads, some intentional and others serendipitous. Occasionally these threads weave together past trips with present ones. So it was this time.

Just as the Boston Athenaeum has on prominent display a statue of George Washington, the New York Public Library features two oil-on-canvas portraits of our first president by Rembrandt Peale. This shared thread appeared front and center in the Salomon Room: to the left, Washington in his general’s uniform; beside it on the right, in dress attire.1GWasington

Another interwoven strand surprisingly appeared: Henry David Thoreau. Two summers past, I visited the writer’s revered cabin site in Concord, Mass. Now, on exhibit in the New York Public Library, I saw an 1854 first edition of “Walden; or, Life In the Woods.”

Other artifacts on display from Thoreau’s life included two pages from his voluminous journal that became the manuscript of his most famous book; a letter to his friend, Ralph Waldo Emerson; a daguerreotype portrait, taken in 1856, of a bearded Thoreau in a suit jacket and bowtie.

Many of these items – plus a pencil actually made by Thoreau – I had not seen on my previous pilgrimage to Walden Pond. The best travels have such surprises.

Around the corner from Thoreau’s pencil was a temporary exhibit titled “Peace, Love, and Revolution” about the 1960s. Among the memorabilia was novelist and screenwriter Terry Southern’s typewriter.

The bulky Olympia unexpectedly proved to be a sentence that connected past pages of my travels with the next paragraph on this road trip.

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

Lined Up Like Abandoned Books

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Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Lined Up Like Abandoned Books

The juxtaposition was unexpected and poignant.

I was inside the Boston Athenaeum, the city’s original library dating back to 1805 and located atop famous Beacon Hill. In the grand atrium stands a larger-than-life statue of George Washington before a tall wall of windows overlooking a cemetery below.

And therein lies the juxtaposition: the headstones, lined up in row after row adding up to 2,300 markers in all, come into focus like books on the library’s myriad of shelves.

Founded in 1660, Granary Burial Ground is the third oldest cemetery in Boston. Too, it is one of the most eminent as evidenced by a bronze plaque at the iron-fenced entrance: “Within This Ground Are Buried John Hancock, Samuel Adams And Robert Treat Paine, Signers Of The Declaration Of Independence.”1washington

A map and signposts guide visitors to these noteworthy gravesites, but the balance of tombstones remain as overlooked as old volumes forgotten on library shelves.

Initially, I was drawn to the popular books, so to speak.

First up, to the right after entering the gates, was an unpolished stone the size of a couch cushion with a plaque: “Here Lies Samuel Adams / Signer of the Declaration of Independence / Governor of the Commonwealth / A Leader of Men and an Ardent Patriot / Born 1722 Died 1803.”

Furthest, in the back and directly below the Boston Athenaeum’s statue of Washington, stands a lovely chest-high white pedestal inscribed: “Paul Revere / Born In Boston January 1734 / Died May 1818.” A small American stick flag of the sort a child might wave on the Fourth of July was stuck in the ground on this April day.

I had traveled to Boston to watch our nation’s oldest marathon. As I stood in the cold rain at Mile 22, waiting for a brief glimpse of my son running by, a similarity struck me with Granary Burial Grounds: While the spectators all cheered loudly for the race leaders, much like all the cemetery visitors flocked to pay respects to Revere and Adams and Hancock, the rest of the runners went largely unacknowledged individually except by family and friends.

This is too bad, for each of the 26,948 runners surely had an inspiring story to tell in reaching the venerable 2018 Boston Marathon. Likewise, each now-forgotten grave marker surely has a life story worth telling buried beneath it.

After cheering extra for marathoners who “hit the wall,” I was inspired to return to Granary Burial Ground. This time, I paused at tombstones that were falling over or chipped or had inscriptions erased by summer’s rains and winter’s snows.1graves

Venturing this time off the brick walkway, I came upon a headstone with an ornate loving cup and ferns carved into it as well as this inscription: “To the Memory of John Hurd . . . Obit 20 Aug. 1784.” My thought: does anyone remember him now?

In a far corner were bookended headstones, neither larger than a novel, lonesome by a 10-yard circumference except for each other, surrounded by dirt instead of grass, their surfaces worn illegibly smooth. My thought: a wife and husband, I hope.

A larger headstone, this one featuring an elaborate carving of angel wings: “Here Lyeth Buried Ye Body Of Mrs. Elizabeth Cush (the veneer is chipped away, taking with it “ion”) / Late Wife to Cap Jermemiah Cushion / Aged 60 Years November 1689.” My thought: born just nine years after the Mayflower arrived, what was your life story Elizabeth?

One more thought: on and on these forgotten gravestones go, like anonymous runners in a marathon, like musty books on library shelves.

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

Healer’s Own Healing Takes Time

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Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Healer Finds His Own Healing Takes Time

“I think you’re further along than you realize.”

Those were the encouraging words Dr. Moustapha Abou-Samra, a neurosurgeon in Ventura, offered when I bemoaned my slow recovery from disc fusion surgery after I was rear-ended by a speeding drunk driver.

Fifteen years later, I returned the sentiment to “Dr. Moose” after he wrote me in response to my column “Rose Rises From Thomas Fire’s Ashes.” He confessed he was not yet feeling what I termed “the gravitation pull of healing” after losing his ocean-view hillside home of 34 years.

1homeIndeed, a handful of essays he also shared made me believe his healing over the loss of his home at address “557” was further along than he realized. Too, I believe excerpts may serve as a salve for others.

*

“Yesterday morning was a typically beautiful Ventura day with some storm clouds that reflected the calm before the actual storm. I decided to watch the sunrise at 557 for the first time since our home burned. I had not been there for more than three weeks. The debris has not yet been removed and the neighborhood as it stands is, to put simply, depressing.

“I am glad I decided to go!

“There is no denying that our beautiful home is still gone. And there is no denying that my treasured jasmine that usually covers the backyard this time of the year is still missing. Gone is the heavenly smell that reminds me of Damascus.

“But I was in for a treat. The sunrise was as beautiful as it has always been. I could visualize the many, many times I stood on our front porch to take pictures and send them to my family.

“You had to have lived at 557 to appreciate the changing hues and colors, from light pink to almost purple, and to enjoy the sun peeking through various cloud formations. I always felt as if it is giving me my own personal ‘good morning.’ ”

*

“One might say that the Grace of God is evident all around us, but I’d like to concentrate here on the Grace of God as manifested by people who act in a Godly way; people who are kind, generous, empathetic and loving. People who are simply ‘good.’

“Since our house burned down on December 5, 2017, we have been the recipients of such kindness and generosity many, many times; family members, friends, acquaintances and perfect strangers have taken the time to show us that they care, and in doing so, they made us feel that we are special to them and that they feel for us.”

*

“Losing 557 was like losing a member of our family.

“A dear friend trying to soften the blow, very early after the fire, told me: ‘Remember, you didn’t lose your home – you lost your house.”

“Is there a difference between a house and a home? Someone said it best: ‘A house is made by hands, but a home is made by hearts.’ ”

*

“I caught myself saying good riddance to 2017. December brought us fire and destruction.”

After stinging together a memory necklace of pearls from 2017, including the birth of three grandchildren, Dr. Moose concluded: “I look back at all the wonderment and I smile!”

*

“Since December 5, 2017, my wife and I have experienced impromptu trips down memory lane as we remember fondly a particular object, a painting, a photo or a knick-knack.

“There is no debating the fact that we lost a lot of material possessions, but we did not lose our precious memories. They will always sustain us.”

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

An ‘Uncommon Type’ Love Story

An ‘Uncommon Type’ Love Story

On the back of his 1950s Hermes Baby portable typewriter, which he took along on his “Travels with Charley” road trip around America, author John Steinbeck etched: “The Beast Within.”

Michael Mariani, a Venturan I wrote about here last week, has his own Beast Within – a newfound typewriter addiction. In addition to a vintage Hermes Baby, he owns nine other portables. His collection dates to 1926 and has at last one representative model from each ensuing decade through the ’70s.

Reading Tom Hanks’ book “Uncommon Type,” a collection of wonderful short stories featuring typewriters, Michael was inspired to get one of his own. In February, in Oxnard off Craigslist, he bought a handsome black-and-gold 1936 L.C. Smith & Corona Standard for about the cost of a tank of gas.

MichaelM_Typewriters

Three of Michael Mariani’s restored vintage typewriters.

Michael wasted no time adding No. 2 the next day, a 1948 Royal Arrow, again locally off Craigslist, and again for a price he considered a song. In the bargain, he learned of an old pro who repairs and cleans these mechanical dinosaurs.

After perusing websites on the subject and reading more books, including “The Typewriter Revolution,” Michael joined the analog insurgency with enthusiasm. More than once, he went to check out one typewriter and returned home with two. By April, he reached double digits.

“I got hooked on the chase,” Michael explains. “These machines are cool. And I can’t believe how inexpensive they are – only two of my typewriters were more than a hundred bucks.

“It actually wasn’t love at first type,” Michael adds, smiling. “After using a computer for 35 years, I quickly learned you really have to push the keys HARD!”

The added effort soon charmed him.

“A typewriter is the opposite of a computer,” Michael allows. “It’s slower. It slows you slow. There’s no delete key. I like that concept – slow down. I’m not a writer, but I use them to write letters and thank-you notes.”

Michael’s home has become a typewriter museum of sorts. Entering the living room, guests are greeted by three beautifully restored portables on display side by side by side: 1936 L.C. Smith & Corona Standard, 1948 Royal Arrow, 1926 Remington No. 1.

In a bedroom now empty of his and Kay’s two grown sons, a table is filled with more portable typewriters: 1958 Smith-Corona Clipper, a favored model by Tom Hanks by the way; 1951 Royal Quiet De Luxe; 1965 Olympia SM8; 1971 Brother Echelon; 1955 Remington Quiet-Riter; 1971 Smith-Corona Super Sterling; and, Michael’s most costly machine at $110, a Steinbeck-favored 1943 Hermes Baby.

“Typing-wise, feel-wise, my favorite so far is the 1965 Olympia,” Michael notes. “I also find it interesting that it was made in Western Germany, not that long after the Berlin Wall went up (in 1961). Typing on it just feels goooood.

“Typewriters, I’ve found, are a bit like dating,” Michael continues. “It’s different for everyone and you just have to see what you like, what you love.”

This is a QWERTY love story, so it is only fittingly that the very first thing Michael typed on his first old-school acquisition was to his wife of 32 years.

“I left it in the typewriter on the counter,” Michael shares. Included in that sweet note was the fact that he could not find the exclamation point – in fact, the 1926 Corona Standard does not have such a key.

Kay typed back: “I love you!” She also added an exclamation explanation – that she used the apostrophe, backspace, and period to make the mark.

Unlike mythological Hermes, the speedy messenger of the Greek gods, Kay had wonderfully slowed down to deliver her message.

* * *

1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

 

Old Type Way to Slow Down

Old Type Way to Slow Down and Smell Roses

My dear friend Michael Mariani recently texted – ironically, it seems to me – asking if I had a manual typewriter he could borrow. He was considering buying one, but wanted first to do a test drive.

I replied that while my circa 1910 Underwood No. 5 had been restored to fine working order, it still offered a fairly clunky experience.

Only days later, I received an old-fashioned typed letter. It was folded and tucked inside a card with a photograph of the gorgeous black-and-gold 1936 L.C. Smith & Corona Standard portable typewriter of which Michael had impulsively become the proud owner.TypewriterKeys_Screen shot

Unlike perfectly uniform lettering spit out by a computer printer, typed keystrokes create various shades of black which in turn create a kind of mosaic artwork beyond the words themselves.

Moreover, I believe the x’d out mistakes and typos – after all, a typewriter has no “delete” key or spell-check – in Michael’s letter add warmth and beauty.

*

“Dear Woody,

“You are holding in your hand my third typewritten note.

“What is my fascination with the typewriter?

“I like the idea that it forces me to slow down. Like millions of people, (oh my, the sound of the bell!) I am in search of ways to slow down in my life. I have spent the past 35 years looking for ways to speed up and always striving to increase efficiencies. Now, i (sic) long for the opposite.

“I love to see my errors. No big bother waiting to correct my spelling or grammar. When I make an x (an “a” has been struck over with an “x”) error, it is there for all to see.

“I love the nostalgia of these machines. I x (an “o” has been x’d out) also was not aware of the very (there is that beuatiful (sic) ding again!) large following. It seems I am not alone in my quest to honor these wonderful machines. I am now the proud owner of not one, but three typewriters.TypewriterHands

“I imagine the people that first used these to write important documents or love letters or mundane business docments (sic). I am reading a book about this revolution, no surprisxe (sic), and it appears there are other books on the subject that I plan to read.

“I have alwasys (sic) wanted to write and the typewriter gives me an excuse and allows me to dream (an “a” is covered by a hard-struck “m”) and pretend I am writing some great work, even if it is only a simple letter.

“I love the sound of the keys hitting the paper. I love the history of them. I love that I can collect three of these special machines for about $200.

“I look forward to finding ways to share my joy with others in the future.

“Sincerely,

(Handwritten signature)

“Michael”

*

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

Part 2: Typing Free Verse For Tips

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1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Part 2: Poet Types Free Verse For Tips

Shannon, the vagabond street poet I met in New Orleans and wrote about last week in recognition of April being National Poetry Month, has collected half a dozen typewriters.

A couple of her manual machines, including a beloved Royal Aristocrat, are in distant repair shops waiting for her to pick up. Three more are stored with friends in different cities, also awaiting her return visit.

Her sixth portable, a white Smith-Corona Corsair made in the 1960s, is what she was typing on when I met her along a French Quarter sidewalk.

“It’s a conversation starter,” Shannon said, noting that a fair portion of her customers stop originally to ask her about her various vintage typewriters.1TyprwriteMural

As an acoustic guitar is to a subway singer, so is a portable typewriter to Shannon. Indeed, her fingers create music on the keyboard:

Click-clack-click-clack-clack go the keys and typeslugs striking paper.

DING! goes the margin bell.

Ziiiiiip! goes the return carriage sliding back to the right to begin another line.

The composing done, Shannon’s performance is not yet complete. Using a disposable lighter she melts a red blob of envelope sealing wax, about the size of a quarter, onto the bottom left corner of the stationary. Next, while it is still molten, she uses a stamp to imprint the image of a full-leaved tree – in reverence, I took it, to Joyce Kilmer’s famous line: “I think that I shall never see / A poem lovely as a tree.”

Shannon’s poem written for me, you will see, was plenty lovely.

Surprisingly, she does not make carbon copies nor snap cell-phone photos of her poetry to keep for remembrance.

“I want to release my art into the world,” Shannon explained. “Letting go reflects the impermanence of my life.”

She did not say this darkly.

“I hope to do this my entire life,” Shannon said of writing poetry for tips. “I love to travel. I love to meet people. And I make a good enough living.”

Asked how much she is typically paid for a poem, she replied, perhaps inflating the figures to prime the pump: “Twenty bucks is the average, I’d say. Some pay only five or ten, which is fine.”

She flashed a toothpaste-ad smile and added: “I’ve gotten a hundred dollars a few times.”

I asked if she had a repertoire of poems that she alters, twists and shoehorns to fit the topics people choose. She was half-insulted: “Oh no, never. My poems are all original content.”

The topic I gave Shannon was “running.” Here is what she clack-clack-click-clack-DING!-ziiiiip composed and then theatrically read aloud:

*

RUNNING

I am devoted to the moment

My legs make good time

With my body, and I move

Forward, through the wind

I feel the breeze on my cheeks

My heart beats fast

Soil, earth beneath

I seem to ascend

My potential, limitless, without

Bounds, I am running

Free and nothing can stop me

But the racing of my heart

The only way I can get

My mind to silence

Is to go for a run

I’ll allow the world to

Fade away, I’ll consider only

My steps and I’ll tap in

To the great enigma of

Existence then

Running

Is freedom

*

It may not be of Robert Frost or Maya Angelou fame, but it is fairly wonderful all the same – all the more so for having been typed on the fly in less than 10 minutes with no rewriting or XXXX strikeouts.

Indeed, I tried to be generous and still believe the original poem I received from Shannon was a bargain at the price.

* * *

Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

Poet For Hire, Name Your Price

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* * *

1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

Poet For Hire: Your Topic, Your Price

April is National Poetry Month, proclaimed to be the largest literary celebration in the world, and so I am naturally thinking of Whitman and Dickinson, Longfellow and Frost, Angelou and Shannon.

“Shannon?” you ask, confused if not bewildered.

Shannon is a poet I met in New Orleans, a street poet in the French Quarter, a poet for hire along a storefront sidewalk two doors down from a Cajun restaurant with a 30-minute wait. That was about 25 minutes longer than she needed to compose an original poem for me.

Shannon, seated in a folding chair behind a TV tray table, had her nose in a novel as the world walked by. Intrigued by the vintage typewriter before her – actually, I suppose the word “vintage” is redundant in the 21st century of laptops and tablets – I stopped.1TyprwriteMural

Intrigued also by the handwritten sign hanging from the table, “Pick a Topic, Get a Poem!” I interrupted her reading.

“Any topic?” asked I.

Looking up from her paperback, she smiled and assured: “Yep, anything.”

“How much?”

“Whatever you like,” she answered.

“What if I don’t like the poem?”

“Then it’s free,” she said, sounding earnest. “Even if you like it, it’s free if that’s what you want.”

I decided I wanted a poem. I also decided that even if I hated the free verse I would pay something. Indeed, I imagined that was the brilliance in her marketing: very few people would stiff her for work already performed. Chatting later, she confirmed this was true.

Shannon, a comely 26-year-old, looked the part of a poet with her raven hair buzzed to the length of velvet on the right side, standing tall at attention in the middle, and falling like a crashing wave over her left ear.

While waiting for a dinner table to open, I learned this poet has taken a road less traveled by. At age 13, Shannon moved out of her house for her own safety and after high school fled New Jersey for vagabond excitement.

For a while she “ate fire” as a street performer and also did tricks with a Hula Hoop set ablaze. She eventually gave up fire eating and instead fed people as a short-order cook. Five years ago, she traded a gas stovetop for a QWERTY manual keyboard.

“Words have always been my love,” Shannon told me. “My grandma was a positive influence on that – she forced me to read. She wouldn’t buy me toys, but she’d get me as many books as I wanted.”

Armed with a secondhand typewriter off craigslist, Shannon became a wayfarer poet. She has traveled the country the past few years, from New York to Philadelphia, Nashville to Seattle, San Francisco to Santa Barbara to Ventura – “I set up by your beautiful pier,” she shared – to San Diego.

Shannon has journeyed largely by hitchhiking with occasional hops on grainer train cars and boxcars. Arriving in a city, she couch surfs with friends or sleeps in abandoned buildings – “Urban camping,” she calls it. When needed, she rents a room.

“I like the variety,” Shannon says of her circus-like existence.

For income, she writes poetry for tips along busy boardwalks and sidewalks, on subway landings and at farmers’ markets.

In the early going, Shannon says composing a poem took her 15 minutes or longer. Today, with a few years of deadline experience, her fingers dance on the keyboard confidently and without hesitation, producing word artistry in half the time.

In next week’s column, I will choose a topic and share the resulting original poem by Shannon.

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Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

Rose Rises From Thomas’ Ashes

Is your Club or Group looking for an inspiring guest speaker or do you want to host a book signing? . . . Contact Woody today!

* * *

1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

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Rose Rises From Thomas Fire’s Ashes

 On its homeward voyage, the Apollo 11 capsule – like all spacecraft returning from a lunar visit – crossed an ethereal Rubicon where the moon’s gravitational attraction yielded imperceptibly to the pull of Earth’s gravity.

It seems to me there is a similar invisible line where the gravity of grief and loss is overcome by the pull of healing and happiness. The aftermath of the Thomas Fire, a heinous monster that claimed two lives and more than 700 homes and also turned a million collective photographs into ashes, has reinforced this thought.

For some property victims, this Rubicon of Healing was crossed the moment they safely escaped the fire’s destructive path. For others, it came when they returned to their ruins and uncovered a keepsake piece of jewelry or a treasured heirloom miraculously intact among the cinders.

For many, however, the Rubicon of Healing remains a point far off in the distance of their journey back from the dark side of the moon.

The Thomas Fire razed my childhood home in the wee hours of Dec. 5. Come dawn, however, I honestly felt I had bypassed the gravitational pull of overwhelming loss because all that truly mattered was that my father, who had lived in the house for 44 years, fled harm’s way.AudreyRoseHome

I was, it now seems obvious, in denial. More than being my dad’s house, it was my late mom’s dream home. She died 26 autumns past, come October, and yet the overpowering aura and warmth inside was still of her.

The living room, decorated in her favored blue, was of her. The kitchen, where she rolled out pasta by hand, was of her. The dining room, with her cherished Wedgewood china displayed in a hutch, was of her. Her piano, her books, on and on, her presence in every room.

Every room gone now, burned, cinders and soot.

Because I have the memories, I did not want to see the ashes. Alone among my family, I chose not to go see our home that was no longer there.

I made a similar choice half a century ago. I was two months shy of turning eight and Grandpa Ansel was the only grandparent I had known. I refused to join the procession walking by his open casket because I wanted to remember Grandpa as I had always seen him, alive not dead.

So, too, it was with my childhood home. I stayed away.

But the gravitational pull of loss did not stay away. Finally, the day after Easter, I returned. I drove high into the foothills of Ondulando, turned into a familiar cul-de-sac I no longer recognized, walked up a short driveway leading to where a two-story white house with a front balcony supported by square pillars once stood proudly.

Now, nothing. A moonscape. Even the cement foundation has been removed.

Actually, next to the “nothing” there is something. At the left side of the backyard, near where a hot tub had been, a round fire pit made of red brick remains.

In truth, it ceased being a fire pit a quarter-century back. The first spring following my mom’s death, my dad filled it with potting soil and planted a rose bush. Specifically, a light pink hybrid tea variety named after actress Audrey Hepburn and commonly called simply the “Audrey Rose.”

My mom’s name was Audrey.

In the fire pit-turned-planter on the day following Easter, in a vision filled with symbolism and metaphor, there it was rising from the ashes most literally: our Audrey Rose bush in full bloom.

The gravitational pull of healing took full hold.

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Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …

“March For Our Lives” Monsoon

Is your Club or Group looking for an inspiring guest speaker or do you want to host a book signing? . . . Contact Woody today!

* * *

1StrawberriesCoverWooden-&-Me-cover-mock-upFor a Personalized Autographed copy of STRAWBERRIES IN WINTERTIME” or “WOODEN & ME” mail a check for $25 to:

Woody Woodburn

400 Roosevelt Court

Ventura, CA 93003

* * *

A “March” Monsoon of Raindrops

 It is said that when a raindrop lands on the peak of the Continental Divide, two fates are possible: it will either roll downhill eastward and flow into watersheds that eventually drain into the Atlantic Ocean, or gravity will pull the raindrop downward to the west and it will ultimately reach the Pacific Ocean.

In truth, one lone raindrop alighting on the backbone of the Rocky Mountains will not travel thousands of miles. However, when that single raindrop combines with another and others and countless more, together they fill streams and flow into rivers and wash into the ocean.

Floodwaters washed across America from sea to shining sea this past Saturday. In fact, the surge was global with “March For Our Lives” rallies held in an estimated 800 cities and towns in the U.S. as well as in the U.K., France, Japan, India, Australia, New Zealand, Israel, even Antarctica.1KenMarch

The March For Our Lives movement seeking gun reform legislation was initiated by teenagers at Marjory Stoneman Douglas High School in Parkland, Fla., where 17 students and faculty were shot to death on Valentine’s Day.

Ventura High students Samantha Pedersen, Micah Wilcox, Sam Coats and India Hill organized a local March For Our Lives event for county residents at Ventura’s Plaza Park. I had planned to attend the morning gathering, but at the last minute something came up making it problematic to do so. With hundreds expected to march, one less person – one less raindrop – would surely not matter.

A text message from my son, who hours earlier marched in New York City’s Central Park, encouraged me to postpone my conflicting obligation and go to the rally. It proved wise advice. Being a raindrop in the monsoon was a goose-bumps experience.

Plaza Park was an ocean of humanity fully filled with high school students, who are the backbone of the March For Our Lives movement, alongside young children and adults of all ages.

Based on my experience with sports crowds that are accurately counted by tickets, the published estimate of 1,000 marchers was understated by half at least. Consider this: while an army of participants remained gridlocked like the 405 at rush hour while waiting to exit Plaza Park’s southwest corner to begin marching, the leaders of the parade had already finished and returned full circle. In other words, the stream of marchers was one mile long and two and three abreast.

Along the route, drivers honked car horns in support of the marchers and their handmade signs, including these:

“Arms Are For Hugs, Not Killing” and “Arm Us With Books Not Bullets, Love Not Lead.”

“Marching For My Grandchildren” and “We Call BS.”1march

“I Want To Read Books, Not A Eulogy” and “Bullets Are Not School Supplies.”

A girl of perhaps age five, wearing a pink knitted pussy hat, had a poster reading simply, but powerfully, “Keep Me Safe” and an older youth’s sign featured a caped crusader and this warning: “Voting Is Our Superpower.”

To naysayers who call the marches a one-day gimmick, I offer this: the effort and time expended to drive or take a bus or plane to a city holding a rally, park and walk fair distances to the actual event site, and then march and listen to speeches far exceeds what is required for a short trip to the voting booth in November.

As I was leaving the Ventura event, a vanity license plate on the car parked next to mine summed up what the March For Our Lives raindrops must do as they continue to merge and flow: “PRRSIST.”

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Woody Woodburn writes a weekly column for The Ventura County Star and can be contacted at WoodyWriter@gmail.com.

Wooden & Me Kickstarter Front PhotoCheck out my memoir WOODEN & ME: Life Lessons from My Two-Decade Friendship with the Legendary Coach and Humanitarian to Help “Make Each Day Your Masterpiece” and my essay collection “Strawberries in Wintertime: Essays on Life, Love, and Laughter” …